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Albrecht Durer
Albrecht Durer
Title Deutsch: Loths Flucht
Year Deutsch: um 1496
English: c. 1496
Technique Oil on panel
Dimensions Deutsch: 50,2 X 39,7 cm
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Albrecht Durer
Loths Flucht
c. 1496
Oil on panel
50,2 X 39,7 cm
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Albrecht Durer
Anbetung der Konige, Detail
1504
Oil on panel
98 X 111 cm (38.58 X 43.70 in)
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Albrecht Durer
Loths Flucht
Date Deutsch: um 1496
English: c. 1496
Medium Oil on panel
Dimensions Deutsch: 50,2 X 39,7 cm
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Albrecht Durer
Anbetung der Konige Detail
Medium Oil on panel
Dimensions 098 X 111 cm
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Albrecht Durer
Jesusknabe mit Weltkugel
Medium Deutsch: keine Angaben
Dimensions Deutsch: 118 x 93 cm
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Albrecht Durer
Madonna
Date 1505
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Albrecht Durer
Anbetung der Konige, Detail
1504
Oil on panel
98 x 111 cm (38.58 x 43.7 in)
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Albrecht Durer
Anbetung der Konige Detail
Date 1504
Medium Oil on panel
Dimensions 98 X 111 cm (38.58 X 43.7 in)
cyf
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Albrecht Durer
Apostel Philippus
1516(1516)
Leinwand
46 X 38 cm (18.11 X 14.96 in)
cjr
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Albrecht Durer
Eva
209 X 83 cm
1507(1507)
Oil on panel
cjr
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Albrecht Durer
Portrat des Jacob Muffel
1526(1526)
Medium Oil on panel
48 X 36 cm
cjr
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Albrecht Durer
Selbstmord der Lukretia
1518(1518)
Oil on linden
168 X 74,8 cm
cjr
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Albrecht Durer
Portrat eines jungen Mannes
1507(1507)
Oil on panel
Lindenholz
35 X 29 cm
cjr
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Albrecht Durer
Portrat eines Unbekannten
1524(1524)
Oil on panel
50 X 36 cm
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Albrecht Durer
Portrat des Hans Tucher
1499
Oil on panel
28 X 24 cm
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Albrecht Durer
Beweinung Christi
c. 1498
Oil on panel
147 X 118 cm
cjr
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Albrecht Durer
Adam and Eve
1507(1507)
209 X 81 & 209 X 83 cm
cjr
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Albrecht Durer
Madonna of the Pear
1512
Oil on panel
49 ?? 37 cm
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Albrecht Durer
Adam and Eve
Français : tableau
Dimensions 209 ?? 81 & 209 ?? 83 cm
cyf
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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